The Temporal Auditory Imaging Theory


"With the four-dimensional space curved, any section that we make in it also has to be curved, because in general we cannot give a meaning to a flat section in a curved space." (Paul Dirac, 1963)

"Information is physical." (Rolf Landauer, 1996)


This website is dedicated to the temporal auditory imaging theory, which rigorously develops the understanding of what the human ear does. It does so by following the sound wave from the acoustic source in its natural environment, through all the ear organs and into the brain. This approach strongly relies on analogous principles of visual imaging that are intuitively accessible to all visually-intact individuals. Furthermore, the theory makes use of the communication-theoretic aspects that naturally apply to the acoustics sources and auditory system and facilitate information transfer in hearing through sound using modulation and demodulation. These ideas allow for several testable predictions – some of which were examined in the text, whereas others may have to wait for future researchers to follow up on these ideas.


The scope of the auditory imaging theory does not have any contemporary parallels. Classical hearing theories, culminating in works by Helmholtz and Békésy, have tended to cover the mechanical parts of the ear with particular emphasis on the cochlea, while neglecting the auditory brain function (see the review of available acoustic theory in here). More recent research has tended to emphasize the role of the auditory cortex and higher cognitive parts of the brain in the formation of an organized auditory landscape. Yet another recent trend in hearing science tends to focus on computational modeling of the auditory system's response to various signals, using building-block models from signal processing, physiology, neurophysiology, and biophysics. Such elaborate models may account for direct physiological measurements at different stages along the auditory pathways, but they may also fall short in providing insight and overall understanding of what the system does as a whole. Therefore, while useful in their own right, these models are not dealt with in the present text. Rather than contradicting current models and perspectives of auditory science, this theory unites several loose ends in the current literature by elucidating intuitive concepts from imaging such as auditory object, image, focus, sharpness, blur, depth of focus and others.


The temporal auditory imaging theory is the first hearing theory to explicitly discuss the following topics:


Originally made public in November 2021, the theory was posted on arXiv as a large PDF manuscript. This web version was made with the intention to ease the search of the theory and its novel ideas, thereby making it more readily available to a wider audience. The text is identical to version 7 of the manuscript (June 2024). All chapters have dedicated pages alongside their respective PDF versions. Use the side menu and tables of contents to navigate betweeen sections.


To cite this work, please use:

Weisser, Adam. Treatise on hearing: The temporal auditory imaging theory inspired by optics and communication. arXiv preprint arXiv:2111.04338 (2021)
https://doi.org/10.48550/arXiv.2111.04338


Original images may be reproduced with full acknowledgement to the source section and text.


Table of Contents

(Go to full table of contents)


Abstract (Front Matter PDF )
Summary
List of acronyms
List of symbols
Mathematical conventions
Preface
Preface to v6
About the author
Acknowledgments
About the text
1 Background (PDF )
2 The anatomy and physiology of the mammalian ear (PDF )
3 The acoustic source and environment (PDF )
4 Optical imaging (PDF )
5 Three approaches to information transfer (PDF )
6 Physical signals (PDF )
7 Toward a unified view of coherence (PDF )
8 Acoustic coherence theory suitable for hearing (PDF )
9 Synchronization and phase-locked loops (PDF )
10 The paratonal equation (PDF )
11 Estimating the auditory imaging parameters (PDF )
12 The temporal imaging equations (PDF )
13 The impulse response and its associated modulation transfer functions (PDF )
14 The use of sampling for imaging continuous signals (PDF )
15 Auditory image fundamentals (PDF )
16 Auditory accommodation (PDF )
17 Dispersive and synchronization hearing impairments (PDF )
18 General model and discussion (PDF )
A Examples of realistic coherence functions of acoustic sources (PDF )
B Waves (PDF )
C Linear canonical transform approach to the dispersion integral (PDF )
D Impulse response of rectangular pupil with positive defocus (PDF )
E Evidence of discrete sampling in hearing through aliasing of double- and triple-pulse sequences (PDF )
F Dispersion parameter estimation from psychoacoustic data (PDF )
Download the full bibiliography only as PDF





References

Dirac, Paul. The evolution of the physicist’s picture of nature. Scientific American, Vol. 208 (5), 45–53, 1963.

Landauer, Rolf. The physical nature of information. Physics Letters A, Vol. 217, 188–193, 1996.